Kamis, 23 April 2009
Blellow: A New Site for Freelancers
Looking for a new way to find freelancing work, network, and help out your fellow freelancer? If you’re a Twitter user, Blellow may be right up your alley. Blellow is a social networking community for freelancers and creative professionals who answer the question “What are you working on?”
It works much like Twitter. You follow and are followed by other Blellow users, and you enter status updates (in 300 characters or less). The fundamental difference is that it’s work-based: you describe what you’re working on, a problem you are having, or help you need on a particular project or problem. Then, other Blellow members will reply to your thread with suggestions, solutions, or comments.
Kudos
Blellow has a driving purpose of sharing knowledge and collaborating with others. Users who regularly help others solve problems and find solutions can receive “kudos” from the original poster of an issue or problem. You can give out as many kudos as you like for each thread. The idea is to reward the person who helped you the most.
Groups
Groups allow topics to be organized and sorted, i.e. Photoshop, Web Designers, Entrepreneurs, etc. By joining a group you can immediately interact with other members without having to follow anyone.
Projects
Projects allow you to post a request for assistance on one project. Projects can be paid or pro bono. Pro bono projects are unpaid projects meant to add to your portfolio, but may lead to further paid work depending on the project and popularity.
Jobs
The Jobs section is a job board that allows businesses and individuals to post jobs for full-time, part-time, and contract positions in the categories of design, development, writing and other.
Meetups
Blellow provides an opportunity for live gatherings for networking, socializing, or just getting to know the people you interact with on Blellow.
Overall, it’s an interesting new service that can be a potential powerhouse for freelancers once it takes off, especially for those accustomed to Twitter. The goal of information sharing among colleagues is great on it’s own, but the added features of a job board and project help may also make Blellow a great new way to find freelance work.
Have you used Blellow? What do you think about it?
Article source: Sitepoint
Web Fonts: Do Something Positive!
Mark Pilgrim has fanned the flames of the web font debate with his post today, entitled F**k the Foundries. It’s a shame he chose to express his thoughts as an angry rant, because his tone undermines some important points.
The Debate in a Nutshell
This debate isn’t simple, but it isn’t terribly complicated either.
The good news is that the people actually involved in this debate (as opposed to those just shouting from the sidelines), including font vendors, browser vendors, and professional web designers, actually agree on some important points:
* web fonts should not be encumbered by DRM (hooray!)
* there should be a convenient way to license commercial fonts for use on the Web
Among the browser vendors there is heated debate over whether browsers should support the use of ‘free’ fonts (for most meanings of ‘free’) using existing file formats on the Web. In fact, this debate is a distraction that would immediately evaporate if the real issue could be resolved.
The only significant point that the people involved disagree on is whether or not the file format that is used for licensed, commercial fonts on the Web should include the details of the license embedded within it or not. If yes, the format must be developed and support added to browsers.
Microsoft has already built the beginnings of such a format, but further investment is needed. Meanwhile, there are many who believe that the time and effort required to develop, license, and support such a format in all major browsers is too great, or that it will have little or no practical benefit, and is therefore unjustifiable.
Right now, the game is at a stalemate; Microsoft and the commercial font vendors believe the new file format is needed, but are unable to develop it with the available time and money. Everyone else believes current font formats like OpenType are all we need, but they don’t control the fonts.
If you’ve ever played chess, you know there is nothing more frustrating than a stalemate: everyone walks away angry. That’s why the only real developments in the font debate lately seem to be explosions of anger like Mark Pilgrim’s.
Do Something Positive
As a web designer, whatever you believe, you’re probably frustrated too. Instead of joining the shouting match, try making a positive contribution to fonts on the Web.
Here’s one important way that you can: Buy a font. Send a message.
Maybe, like Mark Pilgrim, you would happily pay to use commercial fonts in the web sites you design, and you don’t believe upstanding web designers like you need a new file format to make you aware of the license terms that apply to fonts. If only those backward font foundries would take your money!
Well guess what: they will!
There are legal ways to use commercial fonts on the Web today; they just aren’t particularly convenient. Nevertheless, professional designers use solutions like sIFR and CSS image replacement to use commercial fonts on the Web every day.
The next time you design a site, use one of these techniques to demonstrate your willingness to support commercial fonts on the Web. Simply include a commercial font or two in your design, and make sure you buy a license to use those fonts. Once you have—and this is the important part—tell the world you did!
Include a colophon page on your site that lists the fonts you used, and states that they are fully licensed. Send an email to the designer or foundry that created the font and let them know you bought it to use in a web site design.
Most importantly, mention in your note that you would gladly pay an additional fee (a fair one) to use the existing OpenType version of the font file on your site, if they would only offer a license that allowed you to do so.
The good news in all this is that commercial font vendors are not the monolithic entity that many tirades like Mark Pilgrim’s make them out to be. Most of them are tiny studios with just a few designers who just want to design fonts and get paid to do it. We do not have to convince them all at once.
This is just one way to make a positive contribution to resolving a debate that has, sadly, to this point been dominated by negativity. Can you think of others?
Article source: Sitepoint
The Debate in a Nutshell
This debate isn’t simple, but it isn’t terribly complicated either.
The good news is that the people actually involved in this debate (as opposed to those just shouting from the sidelines), including font vendors, browser vendors, and professional web designers, actually agree on some important points:
* web fonts should not be encumbered by DRM (hooray!)
* there should be a convenient way to license commercial fonts for use on the Web
Among the browser vendors there is heated debate over whether browsers should support the use of ‘free’ fonts (for most meanings of ‘free’) using existing file formats on the Web. In fact, this debate is a distraction that would immediately evaporate if the real issue could be resolved.
The only significant point that the people involved disagree on is whether or not the file format that is used for licensed, commercial fonts on the Web should include the details of the license embedded within it or not. If yes, the format must be developed and support added to browsers.
Microsoft has already built the beginnings of such a format, but further investment is needed. Meanwhile, there are many who believe that the time and effort required to develop, license, and support such a format in all major browsers is too great, or that it will have little or no practical benefit, and is therefore unjustifiable.
Right now, the game is at a stalemate; Microsoft and the commercial font vendors believe the new file format is needed, but are unable to develop it with the available time and money. Everyone else believes current font formats like OpenType are all we need, but they don’t control the fonts.
If you’ve ever played chess, you know there is nothing more frustrating than a stalemate: everyone walks away angry. That’s why the only real developments in the font debate lately seem to be explosions of anger like Mark Pilgrim’s.
Do Something Positive
As a web designer, whatever you believe, you’re probably frustrated too. Instead of joining the shouting match, try making a positive contribution to fonts on the Web.
Here’s one important way that you can: Buy a font. Send a message.
Maybe, like Mark Pilgrim, you would happily pay to use commercial fonts in the web sites you design, and you don’t believe upstanding web designers like you need a new file format to make you aware of the license terms that apply to fonts. If only those backward font foundries would take your money!
Well guess what: they will!
There are legal ways to use commercial fonts on the Web today; they just aren’t particularly convenient. Nevertheless, professional designers use solutions like sIFR and CSS image replacement to use commercial fonts on the Web every day.
The next time you design a site, use one of these techniques to demonstrate your willingness to support commercial fonts on the Web. Simply include a commercial font or two in your design, and make sure you buy a license to use those fonts. Once you have—and this is the important part—tell the world you did!
Include a colophon page on your site that lists the fonts you used, and states that they are fully licensed. Send an email to the designer or foundry that created the font and let them know you bought it to use in a web site design.
Most importantly, mention in your note that you would gladly pay an additional fee (a fair one) to use the existing OpenType version of the font file on your site, if they would only offer a license that allowed you to do so.
The good news in all this is that commercial font vendors are not the monolithic entity that many tirades like Mark Pilgrim’s make them out to be. Most of them are tiny studios with just a few designers who just want to design fonts and get paid to do it. We do not have to convince them all at once.
This is just one way to make a positive contribution to resolving a debate that has, sadly, to this point been dominated by negativity. Can you think of others?
Article source: Sitepoint
Senin, 20 April 2009
KnowEm searches 120 sites for open user names
KnowEm is the latest in services that check for unclaimed user names at multiple social sites. This is helpful if you're interested in retaining the same user name at sites you haven't yet signed up for, or if you're on the verge of launching a new site or service and want to lock down that brand name before someone else does.
Most recently we checked out Namechk, which does the same thing for 84 different sites. KnowEm steps it up by searching in 120 places, as well as offering a premium service which will actually go to each site and sign you up. This doesn't come cheap though; it's $64.95, and it only goes to the sites where the user name is still available. It then sends the log-in information back to you so you can do things like change the password and where it's sending confirmation e-mails.
What's more, is that for $10 a month it can keep signing you up for any new services it adds to its search engine. It promises anywhere from 6 to 10 per month, but that can change depending on what new sites are introduced during that time.
Is it worth it to place your money, and trust in a service like this? It depends on how fast the providers are at adding the new sites and registering for you. If you've got an eccentric, or otherwise uncommon user name then yes, it will probably still be available. However, for more common names, you're better off keeping an eagle eye on your RSS reader and signing up for new services as soon as they're announced.
Article source : Cnet
Label:
KnowEm,
namechk,
username check,
Usernames
Qik brings its mobile video to Facebook
In the live-streaming wars, mobile service Qik has a new weapon in its arsenal: integration with Facebook's video player.
Thanks to Facebook Connect, Qik members can now automatically upload their videos to Facebook, set their status messages to link to the video on Qik when they start live-streaming, and have the update show up in their news feeds. Windows Mobile smartphone users (non-touchscreen) can also selectively upload Qik videos to Facebook, an extra feature that the company hopes to roll out to other devices soon.
You can't use Qik to live-stream videos directly on Facebook, at least not yet. But regardless, it's the first mobile video app to allow automatic uploads to Facebook through the social network's application program interface, Qik representatives said.
Live streaming, much like location-based mobile networking, is one of those niches of social media that doesn't have a real frontrunner yet. There are a ton of players in the space, both Webcam- and mobile-focused, and getting a few extra steps ahead is often a matter of being the first to get on a popular platform.
Article source: CNET
Students Who Use Facebook Have Lowest Grades
While the connection between using social media and having low grades in school or college has not yet been directly made, researchers conducting a new survey on social media could not help but notice that students who spent most spare time on Facebook tended to have the lowest grades of all those who were studied. The scientists in charge of the research underlined the fact that being an active part of the social media movement did not necessarily mean that these students studied less, or had an intellect below average. It simply means that these correlations need to be explored more thoroughly.
Ohio State University education researcher Aryn Karpinski told LiveScience that students in the survey who were very active on Facebook tended to have a GPA of around 3.0 to 3.5, as opposed to the teens who reported little to no social media activity. Their GPA levels were in the 3.5 to 4.0 category. Karpinski made it clear that such correlations did not imply causality, in that there might very well be other factors at stake there that drove these students to have lower grades.
The expert also noticed that Facebook users spent between 1 and 5 hours each week studying, or otherwise getting ready for school, whereas non-users took a significantly higher interest in their education, studying between 11 and 15 hours per week, and sometimes even more. Karpinski also said that these results did not necessarily mean that social media users were less interested in school. These children could spend more time on non-learning, extra-curricular activities, such as making music, or working, and not necessarily on Facebook.
In addition, the amount of time spent on learning and reading is also dependent on a student's personality. There are those teens who study all day long just for the sake of it, or who are really interested in the objects they are taught in schools and colleges. On the other hand, others simply accomplish the minimum amount of requirements to remain in school, while devoting their time to their hobbies, or simply doing things that have no connection to their education.
Karpinski's research will be presented on April 16th, at the annual meeting of the American Education Research Association, and will contain details about how students reacted when seeing the questions about their social media behavior. “They're very territorial about their Facebook,” the researcher shared, emphasizing the fact that she tried not to insert any bias, either positive or negative, into the questionnaires.
Article source: Softpedia
How Giving Back Can Help Your Business
I’m a big believer in giving back by donating your time and expertise to your community and your industry. Volunteering can have a number of benefits — helping others, enhancing your skills, becoming active in your community, and creating a sense of achievement. But giving back can also help your career and business. While I wouldn’t recommend volunteering solely for the business benefits, here are some of the areas where you may see value from your efforts.
You can develop new relationships.
Getting out there and volunteering in your community puts you in a great position to meet new people who you may not otherwise meet. These relationships are not only good for networking, but they also help you to create a group of people to consult with outside of your immediate business network.
It can broaden your experience.
Influxis.com
Even if you donate time doing something you do everyday, volunteering provides an opportunity to work on something new with new people in a new place. You get to see more and experience more, and you never know where you might learn a new skill, discover a new way to do something or expand your knowledge in some other valuable way.
It provides indirect marketing exposure.
Sometimes the best marketing is marketing that happens naturally. This can happen when you are focused on a task, especially one that involves collaboration and teamwork.
It’s good for your reputation.
If you work for yourself, everything you do, on and off the job, impacts your business reputation. Giving back is one way to position yourself in a good light. When you spend time and effort for the betterment of others, you are telling clients, potential clients and colleagues that you are empathetic to those around you.
It makes you more well-rounded.
Volunteering makes you well-rounded, as a person and a business owner. And when you volunteer for the right reasons (and realize all of the benefits listed here are really just peripheral to the main purpose of giving back), you just may become a better person.
Do you volunteer? How as it benefited you?
Article source: Sitepoint
How to Successfully Integrate Social Media Into Your Site
While attending Web 2.0 Expo in San Francisco, I had the chance to hear Bob Buch from Digg present tips and case studies on integrating social media marketing into your or your clients’ websites.
Digg Traffic
“Each story that makes it onto the frontpage of Digg gets a minimum of 20,000 clicks back to the publisher. The best stories will get 200,000 - 250,000 clicks. Digg sends 80 million clicks per month to 3rd party websites,” says Buch.
How are other sites benefiting?
* TheOnion gets 600,000 page views per month from Digg users
* Wired.com gets 1 million page views per month from Digg users
* Telegraph.co.uk, the most successful Digg integration partner, and most popular broadsheet newspaper in the UK, gets 5.5 million page views per month from Digg users.
Use the Smart Digg Widget
The Smart Digg widget shows the number of votes to date and is massively more successful than a regular “Digg This” icon without the counter.
Integrated Most Popular Widget
Digg Widget on Telegraph.co.uk
One of the most popular elements on many content websites is a “Most Popular Content” box which highlights 5-10 popular articles based on recent page views. Time.com found that the “Digg Widget” integrated into their site, got 5X more interaction than their own “Most Popular Articles” box and massively increased their own traffic as a result of tons of additional Digging activity.
Facebook Connect
Popular tech news publisher TechCrunch saw registrations increase by 100%, while capturing additional demographic data on their users by integrating Facebook Connect.
While unusually successful, Bob notes that most websites see an increase of 30-80% increase in registration, and an additional 15-80% in comments and user generated content as a result of a clean Facebook Connect integration. You can even import user photos and other demographic data back into your site - such as location, gender, and other information that might otherwise drag down your sign-ups if integrated into your own registration process.
One of the biggest successes of Facebook connect is being able to virally spread your message, by appearing on the “News” wall for users who use post on your site, vote, upload, or otherwise interact with your site.
With each Facebook user having an average of 120 Facebook friends, this is a very quick way to expose your brand to a lot of people, really quickly, while providing “social proof”.
Sabtu, 04 April 2009
Threadless: The ups and downs of selling cotton
Threadless.com founder Jake Nickell and chief creative officer Jeffrey Kalmikoff on Friday chatted with TechWeb's Jennifer Pahlka about crowdsourcing design and feedback from a user-base that's buying up more than 100,000 T-shirts a month. Despite darkening economic times, Nickell says the site is still getting 150 to 200 user submitted designs per day, a number that the Threadless community whittles down to just nine that get released as new shirts on a weekly basis.
Kalmikoff said one of the things that keeps the designs coming in is how much designers are getting paid. According to him, the $2,000 (plus being able to retain the copyright on the image) is approximately four to five times what's being offered at other design shops. Nickell also said that unlike efforts from competitors, the Threadless formula has worked so well because the site doesn't ask designers to create T-shirt designs around specific things, something he said can limit the number of submissions they get.
Part of the operation that's not quite as streamlined, however is Threadless' marketing, something Nickell and Kalmikoff say they've learned on the fly after a few follies. "The whole idea of reciprocal promotion is something we now think about when doing a partnership," said Kalmikoff, who described early missteps where the company would offer what later turned out to be free sponsorship for movies, video games, and film festivals without getting any promotion in return.
Not all is bad though, Nickell says there are more than 800,000 people signed up for the company's weekly e-mail newsletter, which he says has driven repeat business.
To further the site's marketing push, Nickell says Threadless will soon be getting Facebook Connect integration. "All these moments when you could be sharing, commenting, posting a blog post. (That) interaction becomes content," he said. Threadless users who log-in with their Facebook credential can shoot their activity on the site and favorite designs back out to their public feed.
One thing that was not mentioned in the interview was how well the company's brick and mortar store was doing, and if the pair planned on continuing retail expansion. The Chicago store, which opened up in September of 2007 offers most all of what's available online, in addition to designer's art in a gallery space. It was also the first in a series of planned retail operations across the country, including stores in Colorado and California which have not yet opened.
Article source: CNET
Web 2.0 Expo: Time to hit refresh?
SAN FRANCISCO--Stepping off an otherwise quiet street and through the door of the downtown restaurant Roe on Thursday night was, at first, like a foray into a secret fantasy world where no market crash or economic recession had ever happened.
It was the launch party for Yola.com, a rebranded Web publishing platform formerly known as SynthaSite, in conjunction with this week's Web 2.0 Expo down the street at the Moscone convention center. There was an open bar, of course: The signature cocktail was a kir royale, a blend of champagne and blackcurrant liqueur, so champagne flutes were the drinkware of choice in the darkened room. The music was loud. Yola's logo was everywhere--projected on the wall, on T-shirts handed out at the door, on stickers scattered across the bar for the taking.
Yet if you surveyed the scene, there were signs of conscious frugality. The guest list was tight and the party was kept small, with only the ground floor of the two-story Roe booked; the open bar eventually ended, and the kir royales stopped flowing. While Yola was a "silver" sponsor of the conference, the event had not been heavily publicized. The same applied to many of the other scattered parties at the convention. If you knew the details, you could slip into a fun and relatively low-key affair that might even have free drinks and snacks. It was all about doing a bit of digging.
With a "doing more with less" theme, change was in the air at the whole Web 2.0 Expo: This edition of the biannual confab, co-presented by O'Reilly Media and TechWeb, felt like the recession had scooped a hole out of it with a spork. Attendance rates were slightly down, and even though conference representatives said more than 8,000 people came, the halls of The Moscone Center were noticeably quieter than in years past. Yet this is still a must-attend for the majority of the industry. Exhibitors from big tech companies like Microsoft and Adobe, courting developer talent to populate their various platforms and services, said that this is the best way to reach the biggest audience.
And here's what that audience was hearing: that with the harrowing financial climate, there is opportunity in casting off centuries' worth of old institutions that now only serve to hamper innovation.
"The current global financial crisis is the Web's fault," author Douglas Rushkoff said in his Wednesday keynote. "It's a good thing, and...it's really the arresting of a 400- to 500-year process from which value has been extracted from people and companies unfairly and unproductively."
"Six hundred thousand jobs were lost last month, and we've got to believe that the Internet has something to do with the massive restructuring, reorganization, and revitalization of what is our future," Meetup founder Scott Heiferman said in a talk on Friday morning. "They say that a crisis is a terrible thing to waste, so there is this opportunity for us to turn our backs to the screen, to turn our backs to a centralized 20th-century culture where we are dependent on these bloated banks and insurance companies."
That's so last century
The irony lies in the fact that with so many talks at the expo fixed on the opportunities presented by financial difficulties, and the final death knells of the 20th-century way of doing things, the convention itself was still an old-school trade show. The expo floor was full (though not as full as last year) of colorful booths and talkative PR representatives, the panel lineup still packed with the usual marketing and programming buzzwords--ROI, SEO, PHP, RSS--and the art of the business card swap still tantamount.
"There's just not a whole lot that's cool this year," one disappointed attendee told me. Another said he'd found that after last month's South by Southwest Interactive Festival in Austin, Texas, there was something stale about the Web 2.0 Expo, even though it was much healthier than many had anticipated. Maybe it's time for a reboot.
You see, if you got past the surface, did a little digging--just like with the after-hours scene--there were some noteworthy talks at Web 2.0 Expo. There was a seminar about just how much you need to know about wine in order to impress business associates, a crash course from Digg's director of business development for old-media types who want to capitalize on the social news craze, and a session about marketing insights from the creator of the Burger King "Whopper Sacrifice" Facebook app. Keynote speakers like John Maeda, president of the Rhode Island School of Design, and the founders of indie T-shirt sensation Threadless, weren't exactly the sorts of conference highlights you'd expect.
In those talks, the lack of banter about monetization and user engagement was refreshing. The T-shirt clad Threadless guys, for example, didn't really seem to be in their element sitting on couches onstage for a keynote "conversation" in front of an auditorium of laptop-wielding conference-goers in uncomfortable chairs. They were 21st century dot-com heroes in a setting that some of the expo's out-with-the-old speakers would likely have characterized as so last century.
One of the biggest and most promising highlights of the conference was the after-hours Ignite offshoot, the latest in a series of wacky geek-culture seminars presented by O'Reilly and spearheaded by Web 2.0 organizer Brady Forrest. Seven hundred people packed into a nearby nightclub for a set of decidedly unorthodox presentations: a mandated number of PowerPoint slides, set on an automatic timer, so that no one could veer off topic or go over time. Ignite events are held all over the world and have quite a cult following; with presentations like "Mr. Hacker Goes To Washington" and "Demystifying Weird Japanese Toys and Tools," it wasn't your typical Web 2.0 Expo material.
Conference representatives seem to think that the conference format still has life in it. "The expo itself is not going to change. I think the content changes from year to year based on what the trends are like and what the market looks like," TechWeb community manager Janetti Chon told CNET News. "We try to be the conference that appeals to all Web enthusiasts...of course the conference will evolve as the market and industry evolve." She does have a point. Web 2.0 Expo is so big and far-reaching that putting any kind of new spin on it would risk alienating some sector of attendees.
Tim O'Reilly, founder of O'Reilly Media, said in his address to the expo on Wednesday that the term "Web 2.0" was "never intended to be a version number." But maybe it should've been. With all this talk, finally, about putting old institutions to rest, maybe the digerati should consider taking the plunge and making our industry gatherings something truly new. If we're going to talk about a fresh start, there are a lot of things that can be done to make our events reflect it.
From what it sounds like, many of us are ready for it.
Article source: CNET
Why A Blog Can Be Good For Your Business
Blogs are mainstream these days, and they have quickly become a very affordable marketing tool for businesses. Aside from monetizing your blog with advertisements, there are a number of ways a blog can increase income, generate interest and create more opportunities. If you have yet to start a blog, here are some reasons you may want to consider it.
Blogs can increase traffic to your business site.
We all know that search engines love blogs. With some strategic blogging, you can increase traffic to your business website. And usually, if someone finds your blog through keywords, they are probably part of the audience you are trying to reach with your other marketing activities.
You can establish yourself as an expert.
A blog gives you a way to share your experience. You can take a step toward becoming a respected expert in your industry by freely giving tips, advice and other information that readers can learn from and then apply to their own businesses.
Blogs give you a way to reach out to clients.
Blogs are informal, conversational and real-time. They give you an opportunity to talk directly to your clients and colleagues, providing value beyond the information listed on your website.
You can provide news, events, specials and other information.
A blog is a great addition to a business website, especially when it provides information about company news, events, new services, partnerships and special discounts. This format allows you to use a blog as an extension of your website.
You can offer technical support/documentation through your blog.
A great use for a blog is to make it a support site for your clients. You can create a documentation category that can provide help with common problems. You can also create a support ticket or helpdesk system through your blog. This can streamline your support process, freeing up your time to focus on your work. And it gives clients a quick way to get answers they need.
You can build a following.
When you post good information on a regular basis on a blog, you will build a group of loyal readers. With time, they will get to know you and what you do best. Your readers can become your biggest champions, providing referrals and leads.
Of course, blogging isn’t for everyone. It takes time, a commitment and worthy material. You need to post regularly, provide information that’s valuable to your readers, and be willing to interact with and learn from your audience.
I think the biggest challenge for bloggers, myself included, is sticking to a regular schedule. We’re all busy, and a blog post is just another item on the to-do list. But I can attest to the fact that once you start writing, especially if you’re writing about something you’re passionate about, it just starts to flow. And in the end, you’ll be happy you did it…and hopefully you’ll be advancing your business prospects in the process.
Do you have a blog for your business? Share the link, and you may inspire some non-bloggers to take the leap.
Article source: Sitepoint
What Does It Take To Be A Successful Freelancer?
Making the move to working for yourself isn’t always easy, regardless of how prepared you are. And if you’ve become self-employed as a result of circumstances beyond your control, it can be even more difficult. Being successful at freelancing takes a combination of freelance-friendly personality characteristics and an ability to face and conquer challenges. Here’s a look at the benefits, challenges and some must-have characteristics and traits that make a freelancer successful.
The Benefits
Being self-employed comes with a great set of benefits. Not only can you get rid of a long and unproductive commute and wear whatever you want, but you are the boss. Now, that’s a benefit. Here are a few more:
* You set your own hours.
* You choose the work you do.
* You have unlimited earning potential.
* You can work from anywhere.
* You get to reap the rewards from your hard work.
* You can take time off without clearing it with anyone.
* You can tend to family, house, and other non-work issues.
One of the biggest plusses I’ve found from being self-employed is that your career is what you make of it. You can get rid of all of the limitations and definitions — such as being a “Web Designer” or a “Programmer” — and create your own perfect career that’s a combination of everything you love without the things you don’t love. You have control of your future. It’s an exciting prospect.
The Challenges
While they can be vastly different from your office-working counterparts, freelancing has it’s own set of challenges. One part of being a successful freelancer is being able to handle whatever comes your way. Things like:
* Not getting paid
* Having difficulty finding work
* Not having a marketing budget
* Being unable to get health insurance
* Having difficulty networking
* Feeling isolated
* Dealing with difficult clients without any support
* Facing burnout
Unfortunately, all of these things are common freelancer challenges. But the challenges themselves are not a reason to ditch your freelancing dreams. You just need to be prepared to deal with them if and when they happen.
The Must-Have’s
Most freelancers, business owners and others who are self-employed have similar personality traits, lifestyles and other characteristics that support their success. You will need at least some of the must-have items on this list in order to be successful at freelancing:
* Drive
* Passion for what you do
* Practicality
* Networking ability
* Hard work
* Discipline
* Thirst for knowledge
* Time management skills
* Support from family and friends
* Risk-taking mindset
* Patience
* Thick skin
* Good communication skills
The most important traits you can have as a freelancer, I think, are drive and passion. Many of these other items can be learned and improved with time, but you are either driven to succeed or you’re not. And you need to love what you’re doing to sustain that kind of drive on a long-term basis. Those two traits are a powerful combo, and I don’t think I have ever met a successful freelancer who made it the distance without having both.
What do you think makes a successful freelancer?
Article source : Sitepoint
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